[古典]肉蒲团英文版电子书(附中文版)[TXT]
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作者名:李渔
小说类型:成人
文件大小:572K(压缩前) 中文版为375K
文件类型:TXT
内容简介:INTRODUCTION
What first attracted me to Li Yu was his love of comic invention. "Broadly
speaking," he once wrote to a friend, "everything I have ever written was intended to
make people laugh." He was never content, as other writers were, to make minor
variations upon the standard literary themes. Instead he submitted those themes to a
drastic overhaul and created a new comedy of his own, claiming all the while that his
version of reality was the true one and that everybody else was deluded. He thus
belongs to that rare breed of comic writer—rare in any culture—who discovers or
invents the terms of his own reality.[1]
Let me give two obvious examples, both of them discoveries rather than inventions.
In its most general outline a Chinese romantic comedy consisted of a handsome youth
with brilliant literary gifts falling in love with a beautiful and talented girl and, after
overcoming a number of vicissitudes, marrying her. By the seventeenth century
countless stories and plays, some of them masterpieces, had been written to this
formula. But Li Yu would have none of it. In his first play (or opera, both terms
apply), Lianxiang ban, a title freely translatable as Women in Love, he adapted the
formula and applied it—for the first, and perhaps only, time in the history of Chinese
literature—to a love affair between two women. Eventually the lovers are united as
wives to the same man—the only solution open to them. Similarly, in Li Yu's Silent
Operas (Wusheng xi) collection, there is a story about a love affair between two men
that derives its comic power from the way it parallels a perfect heterosexual marriage,
all the way from courtship to widowhood. Examples of comic discovery and
invention abound also in his novel, The Carnal Prayer Mat (Rou putuan).
[ 本帖最后由 平安剑客 于 2011-1-15 19:35 编辑 ]
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